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"a moment of theatrical tour de force, which Lewis performs to tremendous effect."
"One performer in particular snatches attention with her physicality, daring you to look away..."
The one and only Lyn Gardner
"a show that comes with a confident, one eyebrow slightly raised humour..."
"as Lewis delivers a heartfelt plead to take stock of the stolen lands and lies built to support a system based on self-importance, the show reaches a poetic turn."
The 730 Review
"Madeleine Lewis’ dance sequences, although initially jarring, [become] some of the play’s most hypnotic digressions that never fail to engage an often transfixed audience"
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